Woman 2010: Negotiating Pathways between Feeling, Imagination and Experience
Here is my most recent work, complete and in detail. I realise the colour is not accurately captured in these images, given the lighting and weather conditions to contend with, however they are the best I could manage as I wanted to round off my previous post which showed you the origins of this painting from the point of conception.

Woman 2010 oil on linen 150 x 150 cm
Both sitting or standing figures recur readily throughout my folio, but I use this as a means of tackling varied perspectives of a subject that continues to intrigue me since venturing out to develop my art and studio practice.
At times I have in mind to include surroundings or objects that assist with contextualising and informing the space around the figure, but as I work and shift forms around they are sometimes discarded and dissolve into abstractions. There are just so many possibilities within that solitary human figure, of pushing formalities and exploring freedom from anatomical veracity.
The viewer can judge whether or not the painting manages to do this with any real success.
So my figures really are abstracted and conceptual, and while I admire the technical ability required of more representational approaches to painting, I have always been driven to move beyond the limits of observed experience. For me the painting process is a way of negotiating pathways between networks of feeling, imagination, memory and physical experience.
























